The Mystery of Christmas (2018)
performed by
Emma Walshe (vocals), Emma Walshe (soprano), Hannah Cooke (mezzo-soprano), Jeremy Budd (tenor), Joby Burgess (percussion), Kim Porter (mezzo-soprano), Richard Bannan (baritone), Roderick Williams (vocals), Steven Harrold (tenor), William Gaunt (bass)
composed by
Adrian Peacock, Anonymous, Ben Rowarth, Cecilia McDowall, Christmas Traditional, Fredrik Sixten, James MacMillan, Jamie W. Hall, John Rutter, Judith Weir, Morten Lauridsen, Richard Allain, Roderick Williams, Steven Sametz, Thomas Hyde, Thomas Tallis
Programs mixing Renaissance music with contemporary compositions are almost obligatory in the genre of the British choral holiday album, so it's nice to encounter a release that gets back to the roots of the phenomenon and takes seriously the impulses that gave rise to it. The small (23-voice) ORA singers and conductor Suzi Digby, honored here by the dedication of a new composition by John Rutter, apply the method used on the group's earlier recordings: seeking out, by commission if necessary, new compositions that respond ...
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Programs mixing Renaissance music with contemporary compositions are almost obligatory in the genre of the British choral holiday album, so it's nice to encounter a release that gets back to the roots of the phenomenon and takes seriously the impulses that gave rise to it. The small (23-voice) ORA singers and conductor Suzi Digby, honored here by the dedication of a new composition by John Rutter, apply the method used on the group's earlier recordings: seeking out, by commission if necessary, new compositions that respond to earlier settings of the same text. With Christmas music, where long chains of interpretation are already in place, the results are especially resonant. Some of the melodies are familiar. Sample the anonymous medieval carol Nova nova, bracingly brought to life by its juxtaposition with James MacMillan's setting. A few pieces don't fit this pattern, and two of these are not British; Fredrik Sixten's Mary's Lullaby (Silent Night) and Morton Lauridsen's O magnum mysterium allow the...
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- O magnum misterium, motet for 4 voices (SATB)
- Venite, gaudete!, for chorus & organ
- O Adonai, for choir
- Drop Down, Ye Heavens, from Above, for chorus
- Videte miraculum, motet for 6 voices, P. 293
- Coventry Carol for voice & ensemble
- Coventry Carol, for double chorus & semi-chorus
- Nova! nova! Ave fit ex Eva
- Nova! Nova! Ave fit ex Eva, for chorus
- Suzi's Carol, for soprano, percusion & chorus
- As I lay upon a night, for chorus & organ
- There Is No Rose of Such Virtue (English)
- There Is No Rose, for chorus
- Sweet Was the Song, for chorus
- Now may we singen (English)
- Now may we singen, carol for chorus
- Mary's Lullaby, for soprano & chorus ("Silent Night")
- Gaudete, for soloists & chorus
- O Magnum Mysterium, for chorus
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