Sacred and Secular Music from Renaissance Germany (2006)
performed by
Adam Gilbert (shawm), Adam Gilbert (recorder), Ciaramella, Debra Nagy (shawm), Doug Milliken (bagpipes), Doug Milliken (recorder), Erik Schmalz (sackbut), Greg Ingles (slide trumpet), Kris Ingles (trumpet), Mahan Esfahani (organ), Rotem Gilbert (recorder)
composed by
Adam Knight Gilbert, Adam von Fulda, Anonymous, Buxheimer Orgelbuch, Anonymous, German, Christmas Traditional, Gregorian Chant, Guillaume Dufay, Heinrich Finck, Heinrich Isaac, Jacques Barbireau, Johannes Beham, Nicolas Grenon
The cover blurb for this release by the Cleveland, OH, early music ensemble Ciaramella quotes a critic who praises the musicians for their ability to play "with the ease of jazz musicians improvising on a theme." The comment is especially apt for this disc of German Renaissance music, commercially speaking the poor stepchild of the era compared with English, Italian, and even French music. For the German Renaissance world was full of individual musicians and ensembles who elaborated on preexisting models, much as a jazz ...
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The cover blurb for this release by the Cleveland, OH, early music ensemble Ciaramella quotes a critic who praises the musicians for their ability to play "with the ease of jazz musicians improvising on a theme." The comment is especially apt for this disc of German Renaissance music, commercially speaking the poor stepchild of the era compared with English, Italian, and even French music. For the German Renaissance world was full of individual musicians and ensembles who elaborated on preexisting models, much as a jazz musician would. The music they made is only incompletely preserved in manuscripts of the era. Such anthologies as the Buxheim Organ Book and various instrumental ensemble collections are full of imaginative instrumental treatments of tunes imported from somewhere else, and this disc (of essentially scholarly origin, but not a bit less musical for it) gives a good idea of what went on. Give a listen to the three different versions of Dufay's chanson Se la face ay pale (If my face is...
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- Nova vobis gaudia
- Se la face ay pale, chanson setting (after Dufay?)
- Se la face ay pale, ballade for 3 voices
- Se la face ay pale, chanson setting (after Dufay?)
- Untitled work, for ensemble (from D-Mbs Mus. Ms. 3154)
- Gaude, virgo, mater Jesu Christe, motet
- Wer ich eyn falck / Invicto regi jubilo, motet
- Missa Je ne fay plus, for chorus: Kyrie
- Missa Je ne fay plus, for chorus: Gloria
- Ave sanctissima Maria, motet for 4 voices
- Alma chorus / O du arme Judas, motet
- Mein Herz in hohen Freuden ist, hymn
- Gespiele, liebe Gespiele güt, song
- O plebs quae Deum amas, motet
- Een Vroylic Wesen for 3 voices
- Ach, Jupiter / O diva sollers virgo, motet
- Sancta Maria wohn uns bei, hymn
- Komm Heiliger Geist, hymn
- Komm heiliger Geist, Herre Gott
- Komm Heiliger Geist, hymn
- So steh ich hie auf dieser Erd, hymn
- Uf dieser Erd, hymn
- Mein Herz in hohen Freuden ist, hymn
- Wer ich eyn falck, fanfare for ensemble
- Dies est Laetitiae, cantio introductory, 4 part motet
- Dies est laetitiae (Piae Cantiones)
- Pleni sunt coeli, motet
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