God Be in My Head: Sacred and Secular Treble Solos (2006)
by
Freddy de Rivaz (treble), James Davy (organ), Nicholas Robinson (organ), Nicholas Robinson (piano), Simon Johnson (organ), Simon Johnson (piano)
This collection of solos by English treble Freddy de Rivaz features both sacred and secular solos from the Renaissance through the twentieth century. De Rivaz avoids the mannerisms and affects that can make boy trebles less than ideal soloists. His voice doesn't have the pallid white tone of so many trebles -- his vibrato is subtle, but it gives his voice color and expressiveness. He sings with unforced musicality, shaping each phrase with naturalness, his pronunciation is beyond reproach, and his tone is unfailingly pure ...
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This collection of solos by English treble Freddy de Rivaz features both sacred and secular solos from the Renaissance through the twentieth century. De Rivaz avoids the mannerisms and affects that can make boy trebles less than ideal soloists. His voice doesn't have the pallid white tone of so many trebles -- his vibrato is subtle, but it gives his voice color and expressiveness. He sings with unforced musicality, shaping each phrase with naturalness, his pronunciation is beyond reproach, and his tone is unfailingly pure and clear throughout his range. He even manages the ornamentation in the Baroque repertoire with apparent ease. De Rivaz is especially effective in the folk songs "Skye Boat Song" and Britten's arrangement of "The Salley Gardens"; his youthful voice gives the elegiac love song an added poignancy. He is equally at ease in standards of the treble repertoire such as "Pie Jesu" from Fauré's Requiem, and in his forays into soprano repertoire -- "Hear my prayer" and "O for the wings of a...
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- God Be in My Head
- Aviary, for voice & piano: 1. The Birds Lament
- O Mysterium Ineffabile, motet
- Let Him Who Seeks, anthem for voice & keyboard
- A Hymn to God the Father (Harmonia Sacra, Book 1, 1688)
- Balulalow, for voice & piano
- Alma del core, for voice & keyboard
- Evening Hymn
- Ave Maria, for voice & piano, CG 89e (after Bach's Prelude No. 1 from the Well-Tempered Clavier, Book 1)
- Litany of the Holy Spirit, hymn
- A Ceremony of Carols, for treble voices (or chorus) & harp, Op. 28: That Yonge Child
- Requiem, for 2 solo voices, chorus, organ & orchestra, Op. 48: Pie Jesu
- Skye Boat Song, ballad for voice & keyboard
- Hear My Prayer ("O for the wings of a dove"), hymn for soprano, chorus & organ or orchestra in G major, MWV B49
- The Salley Gardens (or Maids of Mourne Shore), traditional melody
- Carmina Burana, scenic cantata for soloists, choruses & orchestra: In Trutina
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